Three Things: The In-a-Line Edition
This week I’m studying things (and folks) in a row. All lined up, although not necessarily neatly, and not necessarily still.
Marcin Ryczek, Running. Photograph. www.marcinryczek.com
Holgersson, i:slant.III, 2010. Photograph. Via Flickr.
Rune Guneriussen, One can rely on the prudence of his decisions # 02, 2008. Photograph. www.runeguneriussen.no
Three Things: The Telephone Edition, III
Let’s spend some time on the phone this week. Er, what I mean is, let’s spend some time writing a telephone into a scene. Brriiiing!
Dana Schutz, How We Would Talk, 2007. Oil on canvas.
Rune Guneriussen, Connections #4, from wall No. 2, 2006. Photograph. www.runeguneriussen.no
Fairfield Porter, July Interior, 1964. Oil on canvas. Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Three Things: The Field Edition, II
We’ve spent some time in a field before; this week let’s revisit that open space: this time with a surreal twist of some kind.
Anna Ådén, Untitled from Autumn Fields series. Photograph. www.imable.se
Rune Guneriussen, Circle of reception, 2011. Photograph. www.runeguneriussen.no
Daniel Gordon, No title from Flying Pictures, 2002. Photograph. www.danielgordonstudio.com
Three Things: The Telephone Edition, ii
As if our phones don’t run our lives enough already, let’s spend some time writing about them this week. An incessant ring? A mystery caller? A life-changing call? What will the phone bring to your character?
Rune Guneriussen, Connections #3, from wall No. 4, 2006. Photograph. www.runeguneriussen.no
Tamara de Lempicka, The Telephone II, 1930. Oil on wood panel.
“Woman’s Bureau, Metropolitan Police Dep’t. Telephone calls bring prompt attention.” November 1922. National Photo Co. Via Shorpy.
