In last week’s staff round-up, I wrote (re: gushed) about Into: Minneapolis. Into Quarterly is a “city-inspired arts journal” that visits cities around the U.S. and publishes a portrait of that city through its artists and writers. Through my day job at The Loft Literary Center, I’ve gotten to know the two founders of Into Quarterly, Virginia Sasser (left) and Laura Benys (right) in conjunction with the publication’s launch event at the Loft this Friday, Dec 9 at 7 pm. Let me just say: I am crushing hard core on these two creatives and their publication. To top it off, after getting a sneak preview of the issue, I fell head over heels for the city I live in again, seeing it through the eyes of 40 local writers and artists. These writers & artists pose hard and thoughtful questions to themselves and our city with beauty, honesty, and heart. In turn, I asked Virginia and Laura a few questions about Into: Minneapolis recently, and they answered in much the same way: with beauty, honesty, and heart. It’s a match made in, well, art.
Hazel & Wren: Can you tell us about how Into Quarterly began?
Into Quarterly: We were neighbors in Austin! We’re both freelancers, and our unconventional schedules made for lots of afternoon coffees and happy hours and talking about writing and design…. Then Virginia moved to Brooklyn, and we started sharing our personal projects with each other as a way of staying in touch. We became intrigued by the way being in two different cities started affecting the style and content of our art. We also loved considering our own work as a reaction to the other’s; those unexpected combinations of the written and visual is magical to us. That’s what led us to start a larger conversation with other writers and artists who might deepen this perspective.
A big inspiration has been the fact that beautiful print journals like Kinfolk and Cereal and Gather have made a resurgence. We wanted to try that on our own scale, but with a theme that was purely creative rather than editorial or guidebook-like. We thought about what brings together a bunch of artistic perspectives, and ties them together without forcing them into a mold or narrative. Of course, place is one of those things. We got really excited about seeing how a city at once unifies and sets apart the artists living in it.
Obviously, our ulterior motive was to get to know cities and artists we admire. Sneaky, right? We love how different cities have different personalities and vibes. We wanted the artists themselves to show us what that was.
H&W: Since you are not necessarily from or familiar with some of these cities, how do you find the artists and writers for each city? How do you make sure that these are the writers to showcase that specific city?
IQ: We ask for a lot of help, through friends and friends of friends, and also of complete strangers. We approach cultural icons like the Loft Literary Center and plead for advice. We always look into the city’s spoken word scene. We check out recent grant or award recipients, but we also look at the runners-up. We get referrals from the artists themselves. In the cities we’ve done so far (Austin, Richmond, Minneapolis), the creative communities have been very supportive of each other, and eager to talk each other up. We value pulling writers from both under-the-radar niches and more obvious places, and strive for a mix of established and emerging artists; that’s really important to us.
H&W: Can you talk about the work represented in the Into: Minneapolis edition, and some of the artists and writers that especially stand out for you?
IQ: The book continues work by 40 incredible writers and visual artists. It is at times funny, somber, sardonic, hopeful, dreamy, tough, gritty. Think Heid Erdrich’s writing paired with art by Bobby Rogers, or Dyani White Hawk’s art against a new poem by Ed Bok Lee, or Bao Phi with Kate Worum. We were giddy about seeing what themes and textures these combinations brought out.
Most of the written pieces are short or very short, but we always do one featured short story for each volume, and Into: Minneapolis features Sarah Stonich (AKA Ava Finch). Her new story is gorgeous, vivid, and heart wrenching without a hint of sentimentalism. We are over the moon that she is giving us this chance to introduce it to the world.
We are also proud to feature a photo essay by Shelly Mosman, who presents a Minnesota portrait series. Her work is stunning, and speaks volumes about the toughness, nuance, and beauty of the North. We could stare at these photos all day.
For other artists that especially stand out—there are too many examples to list! Eliesa Johnson, Danez Smith, R. Vincent Moniz, Jr., Michael Cina, Kao Kalia Yang, Matt Rasmussen… We really must refer folks to the contributors list.
H&W: What do you think Into: Minneapolis says/explores/shows about our city?
IQ: That the people here are strong. And that, for all its beauty and rugged coolness, this city thinks that honesty is more important than airbrushed perfection. When we began this volume, we asked artists to share works inspired by their relationship to Minneapolis. They didn’t dwell only on the (albeit many) obvious boasts of this city. Instead, they used art to challenge assumptions and start important conversations. They grappled with questions of identity, kindness, and equality, and how to understand themselves within the place they call home. It’s a credit to them, and to this community. As a city known for its art and activism, Minneapolis creates the space for these conversations, and for the many perspectives that are a part of them. It may not always be comfortable, but this city aspires to nobler goals than comfort. We think that comes through in the book.
H&W: How do art and writing affect a city’s identity, in your opinion (and experience with Into Quarterly)?
IQ: We didn’t want our expectations to be overly optimistic on this front at first—but are excited about how this is playing out. It seems like writing and arts in each city not only provide a glimpse into the stylistic nuances, motifs, and aesthetic anomalies of a place, but what is important to the people there. They set a tone. In Minneapolis, we found that artists often used their work to explore questions of identity, from Bao Phi’s poem “Refugees from the Prom Center, the Eighties” to Jovan Speller’s “And I shall call you home,” a photographic meditation on being a black woman in Minnesota. We also found a strong current of activism running through the work that artists shared with us, from Eliesa Johnson’s portraits of the Philando Castile and Jamar Clark marches to R. Vincent Moniz’s poetry in solidarity with the Oceti Sakowin Camp. Especially this year, when there’s so much sociopolitical stuff going on, voices from the various arts communities are that much more important. They bring beauty to a strong stance, and define a larger community attitude, while also playing on the special things about that city that no one wants to lose sight of. It’s really cool to see, and we feel lucky to be observing it through this collection right now.
Psst: For those who will be in/near Minneapolis this Friday, don’t forget: the publication’s launch event is at the Loft this Friday, Dec 9 at 7 pm.
Today’s What We’re Reading features our staff picks for December. Perhaps you’re looking for gift ideas for a reader in your life, or maybe you’re looking for unique inspiration for your own holiday wish list. Whatever your gift desires, there is something here for many different types of readers. We’ve gathered a superhero comic book collection, a unique handmade, letterpressed book of poems, a thriller featuring a potential female psychopath, and a collection of over 40 writers and artists from Minneapolis. Happy reading and gift-giving, folks.
Young Avengers by Kieron Gillen, Jamie McKelvie, and friends (Marvel Comics, 2013-2014)
Reviewed by Aaron
Young Avengers is every teen self-discovery road movie. There’s the rich kid (Hawkeye), the transfer student (Marvel Boy), the orphan (Hulkling), the surprisingly normal one (Wiccan), the rough one (Ms. America Chavez), the nerd (Prodigy), and the troublemaker (Loki). There are pop culture references, smooching, and vengeful exes. There is a pounding drive to keep away from parents. But it’s not ’cause parents just don’t understand. No, it’s because parents are A COSMIC HORROR INVADING FROM A FASCISTLY PURE PRISON DIMENSION.
Young Avengers is every superhero vs. cosmic horror comic. There is an evil dystopia dimension. There is a beautiful utopia dimension. One would not exist without the other. Everyone has a chance to see what they’d become if they gave in to their base impulses, but they’re equally haunted by their good and selfless actions. Their travel is literally powered by imagination, and love literally saves the day. Also: aliens, time travel, magic, lasers.
Young Avengers is a dance mix with 16 tracks. It’s not subtle, and it revels in its lack of subtlety. It runs from lo-fi to hi-fi and back again, and it mixes oldies with pop chart-toppers. It’s a karaoke cover of Marvel Comics, and it’s better than the original version.
(Young Avengers came out as 15 individual issues and has been collected in three trade paperbacks: Style > Substance, Alternative Cultures, and Mic-Drop at the Edge of Time and Space.)
every-blest-thing-seeing-eye by Heid E. Erdrich (MN Center for Book Arts, Winter 2016)
Previewed by Wren
If you’re looking for a unique holiday gift for an art and/or poetry fan in your life, this is a great option. The Minnesota Center for Book Arts annually selects a Winter Book, and every-blest-thing-seeing-eye by Erdrich is this year’s 2016 pick. It’s a new collection of poems, focusing on art and the viewing of art—especially from the perspective of an Ojibwe poet as a curator. The book itself is a work of art, being handmade and letterpress printed. It was designed by Jeff Rathermel and Todd Thyberg, with illustrations by Jim Denomie, Aza Erdrich, Eric Gansworth, Dyani Whitehawk, Louise Erdrich, Andrea Carlson and Jonathan Thunder.
If you’d like to see the book in person (and get it signed by Erdrich), there is a Winter Book celebration at 7 p.m. on Dec. 10 at the Minnesota Center for Book Arts.
My Sister Rosa by Justine Larbalestier (Soho Teen, November 2016)
Reviewed by Cassidy
I pre-ordered this book way back in May, after hearing Larbalestier speak on a panel about “writing killer women” at a feminist sci-fi and fantasy convention. Larbalestier mentioned the extensive research she had done on female psychopaths and serial killers for her upcoming book, and I was instantly hooked. My Sister Rosa focuses on seventeen-year-old Che Taylor, who is convinced that his ten-year-old sister is a dangerous psychopath. In between calculus, boxing classes, and maybe getting his first-ever girlfriend, Che must figure out how to stop Rosa before she gets someone hurt—or worse. A hybrid thriller and coming-of-age story, this book draws its power from scares that look inward, not outward. It’s an intensely psychological book that will leave you reeling for days after.
Into: Minneapolis (Into Quarterly, December 2016)
Previewed by Wren
As a bit of a disclaimer, I’ve been working with the creators of Into Quarterly through my day job at The Loft Literary Center. The Loft and Into Quarterly are co-hosting the launch party for Into: Minneapolis on Fri, Dec 9 at 7 pm (at the Loft). That said, I am falling madly in love with this publication and its work. Into Quarterly is a “city-inspired literary and arts journal.” The founders visit different cities, search out writers and artists to contribute work that serves as a time-capsule portrait of their city, and publish this diverse work in a sleek, beautifully designed book. The Minneapolis edition is full of top-notch writers: Danez Smith, Hieu Minh Nguyen, Bao Phi, Matt Rasmussen, Kao Kalia Yang, Sarah Stonich, and so many more. The launch event will feature readings from the book, and a panel discussion between selected writers and visual artists about how the idea of “home” affects their work and identity. Consider it another unique gift idea for those who love Minneapolis, art, and words.
This week I’m studying things (and folks) in a row. All lined up, although not necessarily neatly, and not necessarily still.
Marcin Ryczek, Running. Photograph. www.marcinryczek.com
Holgersson, i:slant.III, 2010. Photograph. Via Flickr.
Rune Guneriussen, One can rely on the prudence of his decisions # 02, 2008. Photograph. www.runeguneriussen.no
This Thanksgiving week, let’s focus on a moment of gratitude. Here are three such moments to help inspire you.
Horace Pippin, Giving Thanks, 1942. Oil on canvas (later mounted to composition board).
Nishe, Infinitely yours, 2013. Photograph. Via Flickr.
Fernando Botero, Still Life with Green Soup, 1972. Oil on canvas.