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What We’re Reading: No Saints Around Here: A Caregiver’s Days

2014 October 9

What We're Reading

no saints around here coverNo Saints Around Here: A Caregiver’s Days, by Susan Allen Toth (University Of Minnesota Press, April 2014)

Susan Allen Toth’s new book of essays, No Saints Around Here: A Caregiver’s Days, is a beautiful chronicle of the life of a primary caregiver. Toth’s beloved husband, James, had Parkinson’s disease. Although he was ill for over a decade, these essays were written in the last 18 months of James’s life. The stories she tells in this book are brutally honest, funny, and affecting, with the end result being a very worthwhile read about unconditional love, sacrifice, time, and loss.

Her readers get the sense that Toth left these essays very much in their original state, which, to her credit, was probably a difficult thing to do. The most surprising aspect of this book is how extremely candidly she writes. It likely would have been easy (and tempting) for an author of a book like this to go back and edit with the sentimental hand that is hindsight. Toth, on the other hand, left these essays as they were when she wrote them, in a gritty testimony to the grueling years she put in as a caregiver. The result is a book that holds nothing back. Watching a loved one slowly succumb to a disease like Parkinson’s is not an easy feat — but it’s even more difficult to be at ground zero, day in and day out, for years.

Because of her constant proximity to James and the work she put into his care, an overarching theme of the book is the dichotomy between the deep love Toth felt for her husband and the frustration she felt at being his primary caregiver. In many of the essays, she has written unabashedly about frustration, anger, guilt, and loneliness. James’s progressive disease made caring for him increasingly demanding. In the first essay of the book, she writes,

He is awake, and I have to get up. He needs attention, a move off the sofa, something to do. I heave a THERE-GOES-MY-NAP sigh. Oh, yes, James hears those sighs. Mostly they pass over him, like a short sharp breeze, and he does not seem to notice. Or he may look up, briefly puzzled, and look at me like he doesn’t understand why I’m sighing. And he probably doesn’t. But sometimes, when he sees my face, my eyes closing for a second (OH NO, HOW COULD THIS BE HAPPENING?) and my voice taking on that awful forbearing tone (CAN YOU SEE I’M GRITTING MY TEETH RIGHT NOW?), he’ll say, with a brief moment of recognition, “I’m sorry.” Then, of course, I feel terrible.

For anyone who hasn’t considered the amount of effort and energy it takes be a caregiver (like me), this book is an eye-opener. Toth spares no details as she writes about flossing James’s teeth (“He stands fairly still for this, but I have to dodge the flying specks. I’m not always fast enough”), becoming an expert on unmentionables like commodes and Gentleman’s Pads (“‘Extra-absorbent,’ ‘Maximum,’ ‘Superior Absorbency,’ ‘Overnight,’ ‘Super-plus.’ Nothing, it seemed, was merely ‘Standard’ or ‘Regular.’ All were superlative. I bought a variety for testing.”), the hours spent counting pills, cooking meals, feeding her husband, and caring for the household alone. Her days of caregiving were exhausting, often thankless, and seemingly unending.

The book certainly isn’t all dark. Many of Toth’s essays about the perfunctory and unsavory aspects of care giving are laced with humor. But her occasional humor is balanced with emotional and deeply affecting pieces about the toll this disease takes not only on the patient, but on their loved ones. Because while she was learning to outfit James in Gentleman’s Pads and having his prescription bottles knocked over by her cats, she was also acutely aware that her husband was dying. Take, for example, the essay “The Last Christmas,” where she writes about the realization that her husband was experiencing many things for the last time. The two of them shared a beloved cottage in northern Wisconsin, but as time goes on taking James there has become more difficult. One weekend she knew it was their last trip there as a couple. She writes,

As we walked carefully to the car after breakfast…James stopped. … He was pausing to look out once more at my rambling, messy, and extravagant garden and two striking, very small outbuildings, which were among his last architectural creations. …he said thoughtfully, “I like that roof peak. I think this summer I will take pictures of some details around here and make an album of them.” … I already knew James would never return to this place he loved so much. That beautiful spring morning we were standing only a few yards from a small half-covered deck…which James called the “Garden Overlook,” just big enough to hold two Adirondack chairs…I wanted very much to lead him gently through the narrow arch of the Overlook and lower him into one of the chairs. I could sit in the other. …One last time.

But I had been up all night. I was disintegrating. …So I helped James into the passenger seat…I steered almost blindly down our gravel drive. I thought if I looked back my heart would break.

Because Parkinson’s is a progressive and unpredictable disease, the theme of time and its passage is a focal point of the book. Toth never really knew just how much longer she had with her husband. Time, for a caregiver, takes on a “careful what you wish for” aspect. Of course, she wanted James alive for as long as possible, but on the other hand, as she grew more and weary of being a caregiver, the months or years she potentially had left would sometimes seem daunting. In the essay “Just a Minute,” about how often she feels that yells that phrase, she sums up her relationship with time when she writes,

I do hear myself. I’m talking about time. Time is such a shapeshifter for caregivers. On some days, I wonder, “Will this ever end?” On other days, especially those moments when I look at my much-loved husband, whose smile can still twist my heart, and notice how fragile he has become, I think of time differently. He is leaving me. We have so little time left together. Maybe only just a minute.

I have read some critiques of the book that argue that she was not as alone in her care giving as she implies. She and James did have, at least towards the end, nearly round-the-clock home health aides and occasional visiting family members to help with the care. Toth mentions several times that she is unendingly grateful for the help she was given. And in her defense, any critique of that nature ties into what I mentioned earlier about the essays seeming to have been largely unedited. Yes, she had help, but that it wasn’t enough to make her feel that the bulk of the burden was off of her shoulders. All of the help in the world couldn’t have changed the fact that she was watching her husband die, so it’s quite hard to fault her for feeling anything less than incredibly lonely and overwhelmed.

As James became more and more ill, she saw firsthand how close friends and even family seemed to visit less and less. She saw how it hurt her husband. She arranged lunches and visits with people who said they would come more often, but never did. Of course, it offended her and made her upset. In “Absent Friends,” she writes of an exchange with a formerly close friend who calls but never visits:

After his last phone inquiry, which I answered in a room where James couldn’t hear, I said, “Ray, if you ever want to have a real conversation with James in person, now is the time. Or it won’t happen. … I just want to say one other thing, Ray.” I heard my voice let fly. “If you don’t come to see James before he dies, don’t bother coming to the funeral. I’m not kidding. Just don’t bother.”

These are the scenes that she could have cut from the essays, but she opted to leave them in. The pain in this exchange is so real and palpable. Toth was trying desperately to keep her husband’s life as full and happy as possible, and as her reader, it becomes easy to imagine how she could have felt very much alone.

I came away from this book with a far greater understanding of what caregiving entails, but on a larger scale I also developed a greater respect for the bonds of unconditional love and the commitment that one makes to a spouse or partner. Caring for a person the way Toth cared for James is a monumental display of selflessness and love, and I hope that anyone who reads this book will feel grateful that she chose to not only write these difficult essays, but to share them.

Have you read any books or memoirs lately that you knew were deeply personal? Do you think you would be able to share a difficult time in your own life in such a public manner?

 

What We’re Reading: Tiny Beautiful Things

2014 August 28
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What We're Reading

 

Tiny_Beautiful_Things_book_coverTiny Beautiful Things: Advice on love and life from Dear Sugar by Cheryl Strayed (Vintage Books, 2012)

Have you ever read a book that made you feel as though the author had written it specifically for you—or the narrator was speaking directly to you—because of how much it meant to you, even on the first read? When I picked up Tiny Beautiful Things for the first time, even after multiple recommendations and the way I felt after reading Cheryl Strayed’s memoir Wild, I wasn’t expecting to be moved this much. The unknown pages within told me the exact words that I needed to hear at that precise moment in my life, in order to better myself and feel inspired.

For about two years, Cheryl Strayed took on the anonymous persona of Sugar for an advice column on The Rumpus called Dear Sugar. Readers poured their hearts out to her and confessed their deepest secrets, seeking advice on love, relationships, loss, debt, betrayal, jealousy, family, acceptance, and forgiveness. Strayed responds with warmth, understanding, and sometimes snarky honesty to her “sweet peas” and “honey buns,” as she calls them. In 2012, Strayed revealed herself as Sugar, and shortly thereafter Vintage Books published Tiny Beautiful Things, a compilation of those letters and responses.

A recent divorcée in her mid-fifties, who calls herself Wanting, writes seeking a solution for her mixture of desire and fear when it comes to dating and sleeping with men again with her “droopy” and aging body. Sugar tells her:

You have to find a way to inhabit your body while enacting your deepest desires. You have to be brave enough to build the intimacy you deserve… This will require some courage, Wanting, but courage is a vital piece of any well-lived life. I understand why you’re afraid. I don’t mean to diminish the enormity of what’s recently ended and what now will begin, but I do intend to say to you very clearly that this is not the moment to wilt into the underbrush of your insecurities. You’ve earned the right to grow.

Sugar leaves the woman hopeful at the end of her letter:

I know as women we’re constantly being scorched by the relentless porno/Hollywood beauty blowtorch, but in my real life I’ve found that the men worth fucking are far more good-natured about the female body in its varied forms than is generally acknowledged. “Naked and smiling” is one male friend’s only requirement for a lover. Perhaps it’s because men are people with bodies full of fears and insecurities and short-comings of their own. Find one of them. One who makes you think and laugh and come. Invite him into the tiny revolution in your beautiful new world.

While being understanding, Sugar turns every topic, question, and concern on its head. Sometimes it feels like she’s talking directly to you, but other times she might be talking about you, opening your eyes to your own faults, goals, questions, and concerns. (Suddenly I have eight wildly different things that I immediately need Sugar’s advice on.) Readers can relate, on a small scale yet also in some big ways, to many of those who wrote to Sugar seeking advice. She comforts you and reassures you, and you’re in good company with the anonymous letter writers, but then she shares stories of her own survival to put things into perspective for you. The collection of columns has the heartfelt honesty of a memoir.

The shortest letter written to Sugar reads:

WTF, WTF, WTF?
I’m asking this question as it applies to everything every day.

And her response, with a blunt recount of sexual abuse by her grandfather when she was a child (and how she rose above the negative experience) culminates in this bit of advice:

That question does not apply to “everything every day.” If it does, you’re wasting your life. If it does, you’re a lazy coward, and you are not a lazy coward.
Ask better questions, sweet pea. The fuck is your life. Answer it.
Yours,
Sugar

Anonymous advice columns remind me of this quote I’ve heard: “If we threw all our problems in a pile and saw everybody else’s, we’d want ours back.” Reading these columns can make us feel that we’re not alone, but it can also open our eyes to how we can manage our problems, and how we might be better suited to manage our own and we’d rather not have anyone else’s problems. Perhaps that’s why I found this book in the self-help section of Magers and Quinn. It’s definitely why Tiny Beautiful Things has helped me process some things I’d been dwelling on.

At the same time, the universal theme throughout Sugar’s column is simple, but huge, complex, diverse, scary, amazing, humbling, and wonderful: love. The root of all her advice is to love. Love yourself, let yourself fall in love, “be brave enough to break your own heart,” tell people you love that you love them, and share, spread, enjoy, embrace love. To love is her mantra. And after reading the haunting, tragic stories of her past and the struggles she has overcome completely alone, her confidence and adoration of love is inspiring. It made me want to love a little bit more. (Okay, a lot more.)

It is a rare and special feeling when a book can both fill you up and cleanse you. While reading (on 15-minute breaks at work, on the bus, in line at the bank, because I couldn’t put it down), I addressed some of the burning questions I wanted to ask Sugar, and I found the most comforting solution to many of my problems: love. Be kind, be true, be thankful, and love.

Reading Tiny Beautiful Things was so eye-opening, because I’ve been the teenager who’s worried about her friends but is afraid of interfering. The college grad in her twenties who thinks her student loan debt defines her? Yeah, I can relate. The one fighting depression? I feel your pain. And that writer who feels a book within her but is terrified at the daunting task of writing? I understand how overwhelming and writer’s block-inducing that feeling is. But we can all take Sugar’s advice:

Write like a motherfucker.

What books have moved you? Which narrators seem to speak directly to you when you’re reading? Do you write like a motherfucker?